![]() (Pro tip: Try changing up your approach each time you tackle the scene. Instead, clarify your emotions, then pretend you’re seeing the scene for the first time. Don’t expect certain feelings, or you might be disappointed. Make sure you return to a location with an open mind. Scenes look different on different days, and your feelings are different on different days, too. It depends on your mood, and I don’t recommend you force things, but a little break can go a long way. Other times, you might want to pack your camera in your bag and go for a walk. Sometimes, it can be enough to simply sit down or stand in place for a minute or two, just looking around and taking in the scenery. So setting down the camera lets me feel the surroundings and its emotional content, which can, in turn, affect my own emotional state (this matters a great deal see Tip 1!). These questions only take a minute or two, but they’ll help you identify new, emotionally resonant compositions, plus they might clarify your ideas about a scene and show you the way forward.Īlso, when I shoot, I often travel in a bubble. Ask yourself: What interests me? What draws me? What do I want to capture? What matters to me about this scene? Just look around and see what pulls at your consciousness. Setting down your camera gives you time to observe the world. When I tell people to stop shooting and put the camera away, I often get criticized, yet it’s an important part of photography – especially photography infused with feelings. ![]() Yes, it’s good to head into a scene with specific feelings in mind, but you must be adaptable, depending on the content of the scene. If they’re feeling sad, take a sad photo if they’re feeling happy, take a happy photo if they’re feeling tired, take a tired photo…You get the idea. Learn about lighting patterns and how they affect the viewer, because it’s easy to convey different emotions simply by changing the light’s position relative to the subject.Ī final piece of advice: Don’t encourage your subjects toward specific emotions. (I often just raise my eyebrows while pointing at my camera, and it works great.)īy the way, if you want top-notch emotional portraits, make sure to think about the lighting. Whenever possible, ask permission, especially if you don’t know the person. So whenever you head out with your camera, before you take a single shot, or even look for a shot, ask yourself: How am I feeling today? Then let that emotion guide your shooting, and channel it into your photos.Ī word of caution, however: Do not rush up with your lens, thrust it into a person’s field of view, and snap a shot, especially if they’re feeling emotional. The emotional state of the photographer – that’s you! – has the largest impact on the emotional quality of your photos. Let’s dive right in, starting with my first tip: 1. Instead, use these tips, plus your personal emotions, to create powerful, one-of-a-kind images. ![]() Of course, not all viewers experience the same emotions in response to the same photos, so don’t feel pressure to convey specific feelings to everyone. And in this article, I’ll share my absolute favorite techniques – so that you can capture powerful, moving images, too! I’ve spent years honing my ability to infuse photos with emotions. The best photography often conveys emotions, but how do you create emotional photography? How do you add feelings to your photos so you can move the viewer and ensure they connect with the piece? ![]()
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